For more information, please sign up for the Strategic Communication Application Notification List

Please contact stratcomm@tcu.edu with any questions.

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

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The artists in What’s for Dinner? Conflict and Consumption in American Food Culture approach food as both subject and system. Pop artists like Andy Warhol, Roy Lichtenstein, and Wayne Thiebaud foreground the visual language of mass consumption, transforming common objects into icons that reflect desire, excess, and commodification. Meanwhile, Robert Rauschenberg and Jasper Johns blur the line between object and meaning, using familiar materials to probe systems of value and commodity.

Expanding this dialogue, Ai Weiwei brings a global, political lens, addressing authority and power through material, while Harold Edgerton captures fleeting acts of consumption through experimental photography. Designers such as Tina Leser, Victor Costa, and Michaele Vollbracht extend these themes into fashion, where consumption is worn and performed. Contemporary artists—including Fernando Alvarez, Sheryl Anaya, Jesse Morgan Barnett, Freddy Ortega, and Adrianna Touch—anchor the exhibition in lived experience, emphasizing food as a site of memory, identity, and community.

The presentation of historical objects and publications, including a Vietnam War mess kit, helmet, and canteen, Best War Time Recipes, a Menu for TCU Special Train, and a Texas Christian University commemorative plate, grounds these broader critiques in the material realities of everyday life. These items trace how systems of conflict and consumption are not abstract, but embedded in the routines of eating, preparing, and serving food.

Programming to accompany the exhibition:

Thursday, August 27: A performance during opening reception by Sheryl Anaya constructs an immersive cardboard environment that blurs the boundary between stage and gallery, inviting viewers into a participatory performance centered on food, the body, and trust. Drawing on the ethos of Fluxus, Anaya’s work requires audience engagement, culminating in the shared act of eating as she transforms cream into butter and distributes it with pieces of bread. The remnants left behind raise questions about the status of performance objects: are they props, artworks, or relics

Saturday, August 29: Dr. Annette Becker, Curator and Director of the Texas Fashion Collection at the University of North Texas will give a talk about works loaned to the exhibition. Light refreshments will be offered afterward, followed by an artists’ panel discussion with Easyside artists Fernando Alvarez, Jesse Morgan Barnett and Adrianna Touch, and local artist Sheryl Anaya.

For programming updates, please visit https://www.instagram.com/tcuartgalleries/

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Please contact stratcomm@tcu.edu with any questions.

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Note: For audiences 18 years old and up. Content presented is not to be construed as medical advice. Attendees must consult their own healthcare providers. Views presented belong to the individuals presenting them (featured playwrights, panelists, etc.) and do not necessarily reflect those of TCU or Stethoscope Stage.

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For more information, please sign up for the Strategic Communication Application Notification List

Please contact stratcomm@tcu.edu with any questions.

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Before scheduling this appointment, students must first meet with their Academic Advisor to discuss how a semester abroad may fit into their academic plan.

During the study abroad advising appointment, we will review the available semester programs, explain the course approval process, and answer questions about specific study abroad locations. Advising typically takes place between one year and one semester before the intended term abroad.

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Each month, the same session is offered twice—once on a Monday and once on a Tuesday—so you can attend the day that works best for you.

Monday, September 14, 12:15 pm - 1:15 pm (Teaching & Prep and/or Assessments)

Tuesday, September 15, 11:15 am - 12:15 pm (Teaching & Prep and/or Assessments)

Future sessions

Monday, November 9, 12:15 pm - 1:15 pm (Writing & Critical Thinking and/or Efficiency)

Tuesday, November 10, 11:15 am - 12:15 pm (Writing & Critical Thinking and/or Efficiency)

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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For more information, please sign up for the Strategic Communication Application Notification List

Please contact stratcomm@tcu.edu with any questions.

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Each month, the same session is offered twice—once on a Monday and once on a Tuesday—so you can attend the day that works best for you.

Monday, September 14, 12:15 pm - 1:15 pm (Teaching & Prep and/or Assessments)

Tuesday, September 15, 11:15 am - 12:15 pm (Teaching & Prep and/or Assessments)

Future sessions

Monday, November 9, 12:15 pm - 1:15 pm (Writing & Critical Thinking and/or Efficiency)

Tuesday, November 10, 11:15 am - 12:15 pm (Writing & Critical Thinking and/or Efficiency)

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Dr. Reuben Burch, Vice Provost for Research

Register before the Friday prior to the date of the luncheon. If you are not able to register online, please RSVP to Cheryl Cobb: c.cobb@tcu.edu

Lunches are available for $10. Lunches are FREE for TCU retirees the first time they attend.

Kelly Center parking lot (Lot 6). Parking in the Kelly Center lot can never be guaranteed as we share it with the BLUU, and it is the largest visitor’s lot on the west side of campus. You may park in the Frog Alley Parking Garage which can be entered off Stadium Drive just north of the Kelly Center between our facility and Ranch Management.

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Before scheduling this appointment, students must first meet with their Academic Advisor to discuss how a semester abroad may fit into their academic plan.

During the study abroad advising appointment, we will review the available semester programs, explain the course approval process, and answer questions about specific study abroad locations. Advising typically takes place between one year and one semester before the intended term abroad.

View on site | Email this event

For more information, please sign up for the Strategic Communication Application Notification List

Please contact stratcomm@tcu.edu with any questions.

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Research the list of participating employers listed on Handshake.

Get your resume reviewed (set up an appointment with the Career Center through your Handshake account)

Prepare your 30-second introduction

Make sure you dress in professional attire

Don't forget to follow up with thank-you notes!

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

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Before scheduling this appointment, students must first meet with their Academic Advisor to discuss how a semester abroad may fit into their academic plan.

During the study abroad advising appointment, we will review the available semester programs, explain the course approval process, and answer questions about specific study abroad locations. Advising typically takes place between one year and one semester before the intended term abroad.

View on site | Email this event

Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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The Fair is open to all Neeley business majors.

The Finance, Consulting, & Energy Fair also allows you to engage with Neeley's diverse student population, showcase your workplace culture, and build your early career pipeline.

This career fair style event allows students to discuss opportunities with employers, network and learn about your organization.

Cost for this event is $100 per firm. Firms are given 6’ tables, 2 chairs each, and are asked to provide their company tablecloth with logo, if they have one.

We encourage the companies to bring any handouts, freebie/swag items, etc., and limit signage to tabletop displays or pull-ups as space is limited.

This is an undergrad event from 4:30-6pm CST and companies have access to setup beginning around 3:30pm in the Neeley School of Business. Tables will be assigned.

Location: Neeley 2303 A&B

Registration in Handshake for employers.

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For more information, please sign up for the Strategic Communication Application Notification List

Please contact stratcomm@tcu.edu with any questions.

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Great leaders are powerful storytellers. Storytelling is both an art and a science – one that shapes perceptions, builds trust, and moves people to action. This program helps you master the craft of communicating ideas with clarity and impact, giving you the tools to create narratives that engage, persuade, and inspire across any audience or platform.

One in-person session
September 17, 2026
8:30 a.m. - 3:30 p.m.

Skills and Insights You Can Apply

Craft Compelling Narratives – Structure your message so it captures attention and aligns others with your vision.Understand Audience Psychology – Discover what resonates with your audience and adapt your approach for maximum influence.Enhance Persuasive Communication – Build confidence in communicating ideas that inspire stakeholders at all levels.Leverage Your Presentation Environment – Optimize both in-person and virtual settings to reinforce and elevate your message.Refine Delivery Through Feedback – Practice your storytelling in real time, with coaching and input from peers and facilitators.Is This Course Right for You?

This course is designed for professionals who want to communicate with greater clarity, influence, and authenticity through the power of storytelling.
Ideal participants include:

Leaders and professionals looking to elevate their communication and presentation skills Individuals who need to engage and align stakeholders across teams and departments Teams seeking to improve collaboration and message consistencyFee: $995*
Certificates will be awarded based on successful completion of the one-day training.

* Discounts available for TCU alumni, faculty and staff as well as veterans, small businesses and group registrations. Contact neeleyexeced@tcu.edu for details.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

View on site | Email this event

Before scheduling this appointment, students must first meet with their Academic Advisor to discuss how a semester abroad may fit into their academic plan.

During the study abroad advising appointment, we will review the available semester programs, explain the course approval process, and answer questions about specific study abroad locations. Advising typically takes place between one year and one semester before the intended term abroad.

View on site | Email this event

View on site | Email this event

View on site | Email this event

For more information, please sign up for the Strategic Communication Application Notification List

Please contact stratcomm@tcu.edu with any questions.

View on site | Email this event

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

View on site | Email this event

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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Student-Led Tours
1:20 p.m. – 2:40 p.m.
Dan Rogers Rotunda | 1st Floor
Tours depart from the rotunda, first floor of Hays Hall, every 20 minutes starting at 1:20 p.m. and ending at 2:40 p.m.

Meet the Dean: Two Session Options
1:00 and 3:00
Tandy Hall | 1st Floor
Dean Crossland will give a special address followed by a casual reception.

Academic Open Houses

Accounting Department
1:30 – 3 p.m. | Accounting Area Lounge, Third Floor
Meet Accounting faculty and staff, learn more about the department and connect with the people supporting Neeley students throughout their academic experience. Light refreshments provided by BVWD.

Information Systems and Supply Chain Management Department
1 – 4 p.m. | INSC Suite, Third Floor
Stop by to meet Information Systems and Supply Chain Management faculty and staff and learn more about the programs, opportunities and experiences available to students. Light refreshments will be available.

Management and Leadership Department
1 – 4 p.m. | Management Suite, Third Floor
Meet Management and Leadership faculty and staff and learn more about the department, its programs and opportunities for students. Light refreshments will be available.

Centers, Institutes and Student Resources

TCU Sales Center
1 – 4 p.m. | Sales Center Lounge, Neeley 2112, Second Floor
Discover what makes the TCU Sales Center a unique part of the Neeley experience. Meet student coaches, faculty and staff and learn about classes, programs, events, career opportunities and ways students from across TCU can get involved. Stop by and grab a Red Bull while you’re there.

LKCM Center for Financial Studies
1 – 4 p.m. | LKCM Center, First Floor
Visit with the LKCM Center team and learn about the opportunities available to students, including the Educational Investment Fund, the Transaction and Investment Professionals Board and other hands-on experiences that connect students with the financial industry. Light bites will be available.

Undergraduate Services
1 – 4 p.m. | Neeley 2211, Second Floor off Dan Rogers Rotunda
Meet Career Center and Professional Development Center staff and coaches and learn how Neeley supports students throughout their undergraduate experience, from professional development and career preparation to resources that help them make the most of their time at TCU.

Ralph Lowe Energy Institute
1 – 2:30 p.m. | Rees-Jones Hall 105
Meet Ralph Lowe Energy Institute faculty, staff and Energy Club students and learn how students can explore the energy industry beyond the classroom. Hear about upcoming field trips, networking events and other opportunities to connect with the energy community. Light refreshments will be served.

Institute for Entrepreneurship and Innovation
10 a.m. – 2 p.m. | Intellectual Commons, behind the Founders Statue
See entrepreneurship in action at Neeley. Meet Institute for Entrepreneurship and Innovation staff, connect with entrepreneurial students and learn more about the programs, resources and experiences that help students turn ideas into opportunities. Light refreshments will be available.

Study Abroad Opportunities

Neeley Study Abroad Opportunities
1 – 3:30 p.m. | Tandy Hall
Explore opportunities for Neeley students to take their business education around the world. Meet faculty leading upcoming study abroad programs and learn more about the destinations and experiences available to students this academic year.

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As an interdisciplinary academic hub, the AddRan Pre-Law Institute supports students from all majors who are intersted in pursuing careers in the legal field with guidance from staff that offer career services, advising, and experiential learning opportunities, alongside involvement from TCU faculty, alumni and community stakeholders.

All AddRan students are invited to bring their families by to tour the building and have refreshments anytime between 2:00 - 4:00 pm.

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Event Live Stream

Program

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Occupational therapy (OT) is an allied health profession that involves the therapeutic use of everyday activities, or occupations, to support the physical, mental, developmental and emotional needs that impact a patient's ability to participate in daily tasks.

We invite you to enjoy donuts and coffee with Dr. Michael Justiss and faculty, where you can get all your questions answered! Can't make it to campus? That's OK. If you have any additional questions about TCU's OTD program, please contact OTD@TCU.edu.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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This series addresses a vital need within higher education. As an elite academic institution that shapes future leaders from around the world, TCU provides the perfect setting for deep theological and philosophical dialogues from a historical biblical worldview perspective.

Our objective is to demonstrate how the Bible and Christian theology intersect with key issues of our cultural moment. Such theological discourse and practical application of truth are essential in higher education, where Christians must cultivate the life of the mind within our revered institutions.

Speakers

Tyler Durham, Ph.D., Teaching Pastor, King’s Cross FellowshipLance Cashion, Founder & CEO, Forge Room Foundation; Elder & Pastor, King’s Cross Fellowship

Event Schedule

5:30: Networking begins
6:00: Opening prayer; start conversation
6:45: Begin questions
7:00: Closing prayer

Faculty Programming Advisors

Grant Ferguson, Ph.D., Senior Instructor and Director of OutreachBrandon Chicotsky, Ph.D., Associate Professor of Professional Practice in MarketingEd Ipser, Ph.D., Adjunct Faculty in Engineering & Computer ScienceVaughna Galvin, DNAP, Associate Professor of Professional Practice in Nurse Anesthesia

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Gain the skills to understand, analyze, and use financial data to drive business success. You don’t have to be a CFO to make smart financial decisions. This course breaks down essential financial concepts in a practical, easy-to-understand way. Learn how to interpret key financial statements, analyze data, and use financial insights to make informed decisions – no accounting background required.

8:30 a.m. – 4:30 p.m.
September 23-24, 2026

Skills and Insights You Can Apply

Understand and interpret key financial statementsGain confidence in financial decision-makingUse financial data to support business strategyImprove budgeting, forecasting, and cost analysisStrengthen collaboration with finance teams and executivesIs This Course Right for You?

This course is for professionals who want to strengthen their financial acumen and apply financial insights to their work.

Ideal participants include:

Managers responsible for budgets and financial decisionsLeaders looking to enhance their business acumenProfessionals in marketing, operations, or HR who need to interpret financial reports
Fee: $1,895* and includes all class materials, breakfast, lunch and refreshments.
Certificates will be awarded based on successful completion of the 2-day in-person training.

* Discounts available for TCU alumni, faculty and staff as well as veterans, small businesses and group registrations. Contact neeleyexeced@tcu.edu for details.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

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At Expo, meet over 100+ employers across a wide range of industries who are actively recruiting for their internships and full-time jobs. They are eager to meet YOU!

To maximize connections and intern/full-time job offers, ATTEND the Fall Expo at the TCU Recreation Center on Wednesday, September 23rd, from 3 to 6 p.m., and timely apply to open positions! Bring copies of your resume.

Also, stop by and get a free headshot at Expo, starting as early as 2:30 p.m.

All majors and class years are welcome!

More event info and tips will be sent to you once you register. In the meantime, if you have questions, please call or email the TCU Career Center at careers@tcu.edu.

See you at Expo!

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Gain the skills to understand, analyze, and use financial data to drive business success. You don’t have to be a CFO to make smart financial decisions. This course breaks down essential financial concepts in a practical, easy-to-understand way. Learn how to interpret key financial statements, analyze data, and use financial insights to make informed decisions – no accounting background required.

8:30 a.m. – 4:30 p.m.
September 23-24, 2026

Skills and Insights You Can Apply

Understand and interpret key financial statementsGain confidence in financial decision-makingUse financial data to support business strategyImprove budgeting, forecasting, and cost analysisStrengthen collaboration with finance teams and executivesIs This Course Right for You?

This course is for professionals who want to strengthen their financial acumen and apply financial insights to their work.

Ideal participants include:

Managers responsible for budgets and financial decisionsLeaders looking to enhance their business acumenProfessionals in marketing, operations, or HR who need to interpret financial reports
Fee: $1,895* and includes all class materials, breakfast, lunch and refreshments.
Certificates will be awarded based on successful completion of the 2-day in-person training.

* Discounts available for TCU alumni, faculty and staff as well as veterans, small businesses and group registrations. Contact neeleyexeced@tcu.edu for details.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Attend one, two, or all three sessions—each stands alone, but the full series offers the richest experience. And yes, lunch is included

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

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Event Live Stream

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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The USDA is a diverse and underutilized funding opportunity for faculty, graduate students, postdoctoral scholars, and other researchers. In this training, learn about:

Major grantmaking programs and funding opportunitiesCurrent agency prioritiesRecommendations for crafting competitive proposalsStrategies for aligning research areas with USDA interestsLunch provided for registered attendees.
Register here: https://tcu.co1.qualtrics.com/jfe/form/SV_e3vHY54iN4IMN7M

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Event Live Stream

Program

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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TCU Music Center lobby

Walk in registrations (advance registrations are preferred – registration link will be sent soon); $20 per participant

12:30 – 1:20 PM – opening concert

Van Cliburn Concert Hall

Viola Magic Recital, featuring Kinga Wojdalska, Dr. Misha Galaganov, and other guest artists TBA

1:30 – 5:30PM

Viola Ensemble Readings

All-State Etudes Class

All-State Excerpts Class (area cuts)

“Viola Doctor” short lessons to fix a problem (for students not in All-State class)

“Viola Doctor” 10-minute lessons to fix a problem (for elementary level students)

Lecture-presentations

CAMPUS TOUR for elementary level students

Solo Viola Master Classes

Q & A sessions

5:30PM

Pizza Dinner

7:00PM – concluding concert

Van Cliburn Concert Hall

Viola Magic Continued, featuring TCU viola alumni and viola studio ensemble and guest viola artists

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Anne Allen’s interest in natural and human-made patterns sits at the core of her practice. In new work she combines photographic and video stills, with imagery from botanic samples and Works Progress Administration maps from the Dust Bowl era. Collaged and printed on fabric, the imagery is then reworked with a further process of drawing, cutting, tearing and collage, as Allen collapses time and space in soft, ethereal folds. Plant still-lives become metaphoric studies of biodiversity and depictions of shelterbelts - - a traditional practice of planting rows of trees and shrubs around farms to block the wind and prevent soil erosion - - reveal generations of ecological and familial care. The suggestion of fragility, resilience and precarity in Allen’s work poetically reflects contemporary climate anxiety.

Dorota Borowa works with water as an active collaborator to make drawings, mixing it with oil paint, ink or watercolor, and creating conditions that allow the water to naturally shape the work. Sometimes this involves submerging paper in a tank or exposing it to the movement of the sea. Upon installation in an exhibition, the artist responds to the water gestures and extends the drawing into architectural space as a ‘performance’ or live practice. The unpredictability of the process allows Borowa to explore limits of control, intervention, destruction and, ultimately, acceptance. At Fort Worth Contemporary Arts, Borowa will create a new site-specific drawing installation that unfolds into the gallery space while also intervening in its architecture. Positioned at the entrance/exit of the space, the drawing will occupy an in-between space where the interior and exterior become entangled.

Joey Fauerso presents two bodies of work that connect through time and collaboration. Drawing Battles (2014-15) is a series of short collaborative videos Fauerso made with family and friends. Breaking down the separation between art and family life allowed space for improvisation, and elements of exchange, interaction and loss of control are captured in the process of drawing to reveal a gestural language situated in touch and care. Twelve years later, Fauerso explored this strategy of performance again. In a Classroom (2026), which includes video and sculptural drawings, was created in the former Oisawa Elementary School during a recent artist residency at the ACRUS project in Moriya, Japan. The title of the work -- inspired by a 1971 poem from Adrienne Rich -- considers the tension between a position of logic and rules in contrast to creativity and imagination. Fauerso explores this duality through a series of activities in collaboration with her sons, which involve creating and destroying, while embracing accidents and imperfections in drawing. Ultimately for Fauerso the classroom becomes a stage where modest materials function as props to reveal the physical and sometimes humorous nature of mark-making.

Artist Bios

Anne Allen is an established visual artist with three decades of experience in media including drawing, painting, printmaking and metals. Her works explore her ongoing interest in pattern, both natural and manmade. Recent themes in her work include those derived from nature; entropy and debris, eroded asphalt patterns, beach detritus, flood water debris and patterns discovered while running and hiking. In addition, Allen is an accomplished arts administration professional with more than twenty-five years experience in public art project management, art museum management and curatorial work. Well versed in contemporary art and public art trends, she is an advocate for the arts as a catalyst for economic development, and the arts ability to strengthen and enrich daily life in our communities. More of Allen's work here.

Dorota Borowa is a Polish artist based in Ireland. She exhibits both nationally and internationally, with solo exhibitions including Grilse Gallery, Killorglin (2025), Slendzinski Gallery, Poland (2025), and the forthcoming Uillinn: West Cork Arts Center (2027) as well as group exhibitions such as Highlanes Gallery in Drogheda (2026), Department of Modern Art, National Museum in Gdansk, Poland (2025), Arctic Circle Assembly, Harpa, Reykjavik (2024) and has been awarded a number of AiR programmes (e.g. Arctic Circle Residency; Uillinn: West Cork Arts Center, PS2, Belfast). Her practice has been supported by the Irish Arts Council (Agility Award), South Dublin and Kerry County Councils as well as the Polish Ministry of Culture. Dorota's works have been featured in IMAGE Interiors Magazine, Visual Artist News Sheets and Bloomers Magazine. Her paintings are in the collection of the National Museum in Gdansk in Poland. More of Borowa's work here.

Joey Fauerso is an artist and 2022 Guggenheim Fellow in the Fine Arts. Her work consists mostly of painting, video, installation and performance addressing issues of gender, humor and family. Recently her work has been exhibited at the Blanton Museum of Art, Ruby City Museum, Bemis Center for Contemporary Art, MASS MoCA, Crystal Bridges Museum of American Art, and the Drawing Center in New York. Fauerso has been the recipient of multiple grants and residencies, including a 2025 residency at Arcus Project in Moriya, Japan, a 2020 Joan Mitchell Grant for Painters and Sculptors, a 2021 Sustainable Arts Foundation grant, the RAIR artist in residence grant, Yaddo, MacDowell, and Kunstlerhaus Bethanien in Berlin. Fauerso is a Professor in the School of Art and Design at Texas State University, and lives with her family in San Antonio, Texas. More of Fauerso's work here.

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Event Live Stream

Program

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Agenda:
6:30 - 6:45 p.m. - Firm intros
6:45 - 7:30 p.m. - Round tables (with 3-4 rotations)
Change rooms
7:45 - 8:00 p.m. - Firm intros to new set of students
8:00 - 8:45 p.m. - Round tables (with 3-4 rotations)
8:45 p.m. - closing remarks and networking

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$20 General Admission

Free with TCU ID - claim your free ticket ahead of time, select "Buy Tickets" above

Event Live Stream

Program

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Dates: Tuesdays 9/29/2026 - 10/27/2026
Time: 6:30 PM - 8:30 PM
Sessions: 4
Instructor: Quentin McGown
Fee: $150.00
Register: https://www.campusce.net/tcu/course/course.aspx?catId=503

Photo credit: Jack White Photograph Collection, The University of Texas at Arlington Libraries, Special Collections.

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Hosted by the Koehler Center for Teaching Excellence. Join us for an engaging, research-based exploration of how AI is reshaping learning and discover practical ways to design teaching and learning experiences that deepen thinking, preserve human connection, and prepare students for an AI-rich world.

2:30 pm – 3:30 pm Keynote, A Research-led Approach to Designing Learning in the Age of AI

3:45 pm - 5:15 pm Workshop, Teaching with AI

5:15 pm – 6:00 pm Reception with José Antonio Bowen

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Develop the mindset and skills to navigate change and drive lasting impact.

The most effective leaders don’t just react to change – they anticipate, adapt, and lead through it. This immersive program equips you with the tools to think creatively, ask the right questions, and inspire change in a rapidly evolving business landscape. Learn how to influence key stakeholders, foster collaboration, and build a culture that thrives in uncertainty.

Dates: September 30-October 1, 2026
Schedule: 8:30 a.m. – 4:30 p.m

Skills and Insights You Can Apply

Master adaptive leadership principles to lead in uncertain times.Develop active listening skills and ask powerful questions.Strengthen your ability to influence and drive organizational change.Build innovative strategies to stay ahead of disruption.Foster a culture of collaboration and agility within your teams.Enhance cultural adaptability to lead across diverse environments.Is This Course Right for You?

This course is designed for leaders who need to navigate complexity, drive innovation, and lead teams through change. Ideal participants include:

Senior and mid-level leaders managing transformation initiativesChange agents seeking to influence and inspire othersProfessionals who want to improve adaptability, collaboration, and innovationFee: $1,895* covers all course materials and breakfast, lunch and refreshments.

Certificates will be awarded based on successful completion of the training.

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About 1 Million Cups:

1 Million Cups is a supportive, inclusive space for entrepreneurs and
their communities to gather and connect.

Every week, entrepreneurs present business ideas to the local community and learn how those around them can support their business in its growth. Your local 1 Million Cups (1MC) community gives you the opportunity to refine your elevator pitch to a diverse audience, access training programs, and engage with a network for support.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

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Drawing on decades of experience in banking policy and financial regulation, Ellis will examine the forces driving consolidation in the Texas banking industry, the competitive challenges and opportunities facing financial institutions, and what these trends mean for the state's economic future.

Prior to joining IntraFi, Ellis served as Director of the Division of Insurance and Research at the Federal Deposit Insurance Corporation (FDIC), where she led the agency's efforts related to deposit insurance, banking risk assessment, economic research and financial data analysis. She also served on the Executive Council of the International Association of Deposit Insurers and began her career as a bank examiner and financial analyst at the FDIC.

Ellis earned a Bachelor of Business Administration from TCU, a Master of Public Policy from George Mason University and holds the Chartered Financial Analyst (CFA) designation.

The State of the Economy Speaker Series has previously welcomed distinguished speakers including economics professor John Harvey, Fort Worth Mayor Mattie Parker and former Fort Worth Director of Economic Development Robert Sturns. The event provides an opportunity to hear from leading experts while networking with students, faculty, alumni and members of the community.

Please register for the event. Tickets are free.

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Develop the mindset and skills to navigate change and drive lasting impact.

The most effective leaders don’t just react to change – they anticipate, adapt, and lead through it. This immersive program equips you with the tools to think creatively, ask the right questions, and inspire change in a rapidly evolving business landscape. Learn how to influence key stakeholders, foster collaboration, and build a culture that thrives in uncertainty.

Dates: September 30-October 1, 2026
Schedule: 8:30 a.m. – 4:30 p.m

Skills and Insights You Can Apply

Master adaptive leadership principles to lead in uncertain times.Develop active listening skills and ask powerful questions.Strengthen your ability to influence and drive organizational change.Build innovative strategies to stay ahead of disruption.Foster a culture of collaboration and agility within your teams.Enhance cultural adaptability to lead across diverse environments.Is This Course Right for You?

This course is designed for leaders who need to navigate complexity, drive innovation, and lead teams through change. Ideal participants include:

Senior and mid-level leaders managing transformation initiativesChange agents seeking to influence and inspire othersProfessionals who want to improve adaptability, collaboration, and innovationFee: $1,895* covers all course materials and breakfast, lunch and refreshments.

Certificates will be awarded based on successful completion of the training.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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$20 General Admission

Free with TCU ID - claim your free ticket ahead of time, select "Buy Tickets" above

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Program

*Tickets subject to availability*

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Come see what makes the TCU Neeley Graduate Programs community so special!

Spend your Friday evening with other prospective students, current students, alumni, faculty and staff for a fun night of pickleball, great conversation and plenty of laughs. Explore our graduate programs, make new connections and get to know the Neeley community in a relaxed, casual setting.

Whether you’re picking up a paddle for the first time or already a pickleball pro, everyone is welcome to play!

Athletic attire encouraged if you’d like to play pickleball.

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$20 General Admission

Free with TCU ID - claim your free ticket ahead of time, select "Buy Tickets" above

Program

*Tickets subject to availability*

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Tickets are not required for this event. Free general admission.

Event Live Stream

Program

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Join faculty from across TCU for a different kind of panel—one designed to get everyone in the room talking, questioning, sharing, and learning from one another.

Faculty “un-panelists” from across campus, representing a variety of disciplines and perspectives, will rotate among small roundtables. At each table, they’ll introduce a different topic or question about AI and teaching, share their experiences, and invite you into the conversation.

Come explore what colleagues are trying, questioning, and learning. Exchange ideas across disciplines and leave with new perspectives on AI and teaching. No AI expertise required—curiosity, questions, and differing viewpoints are welcome.

This event continues the conversation following José Antonio Bowen’s September 30 campus visit, but you do not need to have attended the Bowen event to participate.

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Employers will get a first look at PPA Seminar Accounting students interested in full-time and internship opportunities.

This career fair style event allows students to discuss opportunities with employers, network and learn about your organization.

Cost for this event is $200 per firm. Firms are given 6’ tables, 2 chairs each, and are asked to provide their company tablecloth with logo, if they have one.

We encourage the companies to bring any handouts, freebie/swag items, etc., and limit signage to tabletop displays or pull-ups as space is limited.

This event is from 4:30-6pm CST and companies have access to setup beginning around 3:30pm in the Neeley School of Business. Tables will be assigned.

Location: Neeley 2303 A&B

Registration in Handshake for employers.

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Join Jonathan Steenland, Co-CEO & Co-Founder of Force Now, LLC, for an engaging session on AI agents—tools that can move beyond simple prompting to help users delegate meaningful work. In this session, Jonathan will share examples of personal AI agents, demonstrate how they can be used in practice, and offer guidance on how to begin building one yourself.

Attendees will:

See personal AI agents in actionDiscover what kinds of work can be delegated to AILearn what makes an effective AI agentGain practical guidance for getting startedThis event is open to students, faculty, staff, alumni, and friends of the program. No advanced technical background is required.

Please register through this event page if you plan to attend.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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This series addresses a vital need within higher education. As an elite academic institution that shapes future leaders from around the world, TCU provides the perfect setting for deep theological and philosophical dialogues from a historical biblical worldview perspective.

Our objective is to demonstrate how the Bible and Christian theology intersect with key issues of our cultural moment. Such theological discourse and practical application of truth are essential in higher education, where Christians must cultivate the life of the mind within our revered institutions.

Speakers

Tyler Durham, Ph.D., Teaching Pastor, King’s Cross FellowshipLance Cashion, Founder & CEO, Forge Room Foundation; Elder & Pastor, King’s Cross Fellowship

Event Schedule

5:30: Networking begins
6:00: Opening prayer; start conversation
6:45: Begin questions
7:00: Closing prayer

Faculty Programming Advisors

Grant Ferguson, Ph.D., Senior Instructor and Director of OutreachBrandon Chicotsky, Ph.D., Associate Professor of Professional Practice in MarketingEd Ipser, Ph.D., Adjunct Faculty in Engineering & Computer ScienceVaughna Galvin, DNAP, Associate Professor of Professional Practice in Nurse Anesthesia

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Tickets are not required for this event. Free general admission.

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For more information, contact:

Dr. Cathy Sewell (M.Ed. programming): catherine.daniel@tcu.edu

Dr. Tanetha Fisher (EdD programming): t.fisher1@tcu.edu

Dr. Jo Beth Jimerson (PhD programming): j.jimerson@tcu.edu

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Join the Center for Connection Culture, Human Resources, and the TCU College of Education for an evening with Emmy-winning journalist John Quiñones, creator and host of ABC's What Would You Do? Drawing on his own odds-defying journey from migrant farm worker to national broadcast journalist, Quiñones will share stories about identity, courage, and the power of education to change lives. His keynote will be followed by a moderated Q&A with Dr. Frank Hernandez, Dean of the College of Education, exploring how connection and community can move us forward.

RSVP to Reserve your spot!

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Some sessions may require registration, but many can be enjoyed at your own pace. Join us for a day of unity, relaxation, and fun! Free food while it lasts, line-dancing workshop, CPR training, Self-defense class, origami, and tabling events.

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Our Fall 2026 lecture will feature Dr. Greg Pontone and will take place on Saturday, October 10, 2026, at 9:30 a.m. in the BLUU Ballroom.

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Artists include: Sheryl Anaya, Kalee Appleton, Nick Bontrager, Drone Beuys, Erika Duque, James Enos, Adam Fung, Dan Jian, Claire Kennedy, Colby Edward Kohn, Rachel Livedalen, Kylie Nash, Chris Powell, Alli Rogers Andreen, Cam Schoepp, Sam Sheath, and Gretchen Stark.

Moudy Gallery is located on the TCU campus at 2805 S. University Dr, Fort Worth, TX 76129. Regular opening hours are Monday to Friday 11am – 4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information about this exhibition, images for press, or details about other activities of The Art Galleries at TCU please visit the Galleries website www.theartgalleries.tcu.edu, email theartgalleries@tcu.edu, or call 817-257-2588.

Link Tree: https://linktr.ee/tcuartgalleries

Facebook: The Art Galleries at TCU

Instagram: @tcuartgalleries

Artsy: www.artsy.net/fort-worth-contemporary-arts

YouTube: The Art Galleries at TCU

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Students attending the Fair are interested in opportunities in marketing, entrepreneurship, and management. You will network with Neeley's diverse student population, showcase your workplace culture, and build your early career pipeline.

The Fair is open to all Neeley business majors.

This career fair style event allows students to discuss opportunities with employers, network and learn about your organization.

Cost for this event is $100 per firm. Firms are given 6’ tables, 2 chairs each, and are asked to provide their company tablecloth with logo, if they have one.

We encourage the companies to bring any handouts, freebie/swag items, etc., and limit signage to tabletop displays or pull-ups as space is limited.

This is an undergrad event from 4:30-6pm CST and companies have access to setup beginning around 3:30pm in the Neeley School of Business. Tables will be assigned.

Location: Neeley 2303 A&B

Registration in Handshake for employers.

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Free admission; registration required.

Tickets will be available here beginning Wednesday, September 9, at 10:00 a.m. CST

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Visit the study abroad fair to meet TCU faculty, staff, and our university partners.

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Tickets are not required for this event. Free general admission.

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Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.
- Concord Theatricals

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Come see what the TCU School of Art Honors Students have been up to! This exhibition features a range of media including photography, printmaking, animation, painting, installation, sculpture, and drawing.

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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Know someone considering an MBA? Bring a guest who’s interested in earning their MBA at TCU.

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Know someone considering an MBA? Bring a guest who’s interested in earning their MBA at TCU.

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Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.
- Concord Theatricals

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Compete with other Neeley Students to find AI Solutions.

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Come see what the TCU School of Art Honors Students have been up to! This exhibition features a range of media including photography, printmaking, animation, painting, installation, sculpture, and drawing.

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

View on site | Email this event

“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Tickets are not required for this event. Free general admission.

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Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.
- Concord Theatricals

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$20 General Admission

Free with TCU ID - claim your free ticket ahead of time, select "Buy Tickets" above

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Compete with other Neeley Students to find AI Solutions.

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Come see what the TCU School of Art Honors Students have been up to! This exhibition features a range of media including photography, printmaking, animation, painting, installation, sculpture, and drawing.

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.
- Concord Theatricals

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Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.
- Concord Theatricals

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Compete with other Neeley Students to find AI Solutions.

View on site | Email this event

View on site | Email this event

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.
- Concord Theatricals

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Tickets are not required

Event Live Stream

Program

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Tickets are not required for this event. Free general admission.

Event Live Stream

Program

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Come see what the TCU School of Art Honors Students have been up to! This exhibition features a range of media including photography, printmaking, animation, painting, installation, sculpture, and drawing.

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

View on site | Email this event

Event Live Stream

Program

View on site | Email this event

Come see what the TCU School of Art Honors Students have been up to! This exhibition features a range of media including photography, printmaking, animation, painting, installation, sculpture, and drawing.

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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Dr. Jim Riddlesperger, Emeritus Political Science Professor

Register before the Friday prior to the date of the luncheon. If you are not able to register online, please RSVP to Cheryl Cobb: c.cobb@tcu.edu

Lunches are available for $10. Lunches are FREE for TCU retirees the first time they attend.

Kelly Center parking lot (Lot 6). Parking in the Kelly Center lot can never be guaranteed as we share it with the BLUU, and it is the largest visitor’s lot on the west side of campus. You may park in the Frog Alley Parking Garage which can be entered off Stadium Drive just north of the Kelly Center between our facility and Ranch Management.

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This series addresses a vital need within higher education. As an elite academic institution that shapes future leaders from around the world, TCU provides the perfect setting for deep theological and philosophical dialogues from a historical biblical worldview perspective.

Our objective is to demonstrate how the Bible and Christian theology intersect with key issues of our cultural moment. Such theological discourse and practical application of truth are essential in higher education, where Christians must cultivate the life of the mind within our revered institutions.

Speakers

Tyler Durham, Ph.D., Teaching Pastor, King’s Cross FellowshipLance Cashion, Founder & CEO, Forge Room Foundation; Elder & Pastor, King’s Cross Fellowship

Event Schedule

5:30: Networking begins
6:00: Opening prayer; start conversation
6:45: Begin questions
7:00: Closing prayer

Faculty Programming Advisors

Grant Ferguson, Ph.D., Senior Instructor and Director of OutreachBrandon Chicotsky, Ph.D., Associate Professor of Professional Practice in MarketingEd Ipser, Ph.D., Adjunct Faculty in Engineering & Computer ScienceVaughna Galvin, DNAP, Associate Professor of Professional Practice in Nurse Anesthesia

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$20 General Admission

Free with TCU ID - claim your free ticket ahead of time, select "Buy Tickets" above

Event Live Stream

Program

View on site | Email this event

View on site | Email this event

Come see what the TCU School of Art Honors Students have been up to! This exhibition features a range of media including photography, printmaking, animation, painting, installation, sculpture, and drawing.

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Come join the Neeley Career Center and Neeley Academic Advising in this joint career-fair style peer networking event. Hear from current Neeley upperclassmen on what it’s like to study specific majors and learn how students are leveraging their major for future careers.

This is a casual, come-and-go event where students can learn about Neeley’s career and major decision making resources, network with Neeley upperclassmen, and connect with Neeley faculty and staff. Students planning to transfer into Neeley are also welcome to attend.

This is a student and academic department event (non-employer).

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$20 General Admission

Free with TCU ID - claim your free ticket ahead of time, select "Buy Tickets" above

Event Live Stream

Program

View on site | Email this event

View on site | Email this event

Come see what the TCU School of Art Honors Students have been up to! This exhibition features a range of media including photography, printmaking, animation, painting, installation, sculpture, and drawing.

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

View on site | Email this event

“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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For more information, contact:

Dr. Cathy Sewell (M.Ed. programming): catherine.daniel@tcu.edu

Dr. Tanetha Fisher (EdD programming): t.fisher1@tcu.edu

Dr. Jo Beth Jimerson (PhD programming): j.jimerson@tcu.edu

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$20 General Admission

Free with TCU ID - claim your free ticket ahead of time, select "Buy Tickets" above

Event Live Stream

Program

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

Program

View on site | Email this event

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View on site | Email this event

View on site | Email this event

“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Tickets are not required for this event. Free general admission.

Event Live Stream
Program

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Tickets are not required for this event. Free general admission.

Event Live Stream

Program

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Event Live Stream

Program

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

Program

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This exhibition features a range of projects and explorations from the Society of Creative excellence and current Graphic Design Honors Students. Come see what they have been up to!

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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The workplace isn't just evolving – it's being reimagined. Hybrid teams, AI-powered tools and shifting employee expectations are changing how work gets done – and how leaders show up. Are you ready to lead what's next?

This one-day, in person program is designed to help you lead with clarity, agility and confidence – no matter what the workplace throws your way. You'll explore how to bring out the best in your people, drive innovation through culture and mindset, and use AI as a leadership tool to support smarter decisions, better planning and more impactful communication.

You'll leave with practical tools, fresh insights and a renewed sense of what's possible – for you, your team and your organization.
This isn't about catching up. It's about stepping up.

October 27, 2026
8:30 a.m. – 3:30 p.m.

Who Should Attend?

You don't need a title to be a leader – you need the mindset, the drive and the influence. If you're leading people, projects or change, this program is for you.

Perfect for:

Managers and directors guiding hybrid or cross-functional teamsHR, IT and operations leaders shaping culture and innovationHigh-potential professionals preparing for larger leadership rolesProject and program leads driving outcomes across the organizationWhat You Will Learn

How to lead hybrid teams with clarity, connection and confidenceWays to use generative AI to support – not replace – your leadershipPrompting strategies that help you unlock AI's full potentialHow to build a culture where people feel safe to speak up, take risks and growTools to rethink outdated norms and lead change with purposeReal-World Topics Include:

Executive AI use cases; research, planning, communication and decision prepHuman-in-the-loop decision-making and responsible tech useProductivity vs. performance: understanding and navigating the tradeoffsCulture-first leadership strategies that bring out the best in your teamRethinking meetings, workflows and norms to support how people really work todayFee: $995*
Certificates will be awarded based on successful completion of the one-day training.

* Discounts available for TCU alumni, faculty and staff as well as veterans, small businesses and group registrations. Contact neeleyexeced@tcu.edu for details.

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This exhibition features a range of projects and explorations from the Society of Creative excellence and current Graphic Design Honors Students. Come see what they have been up to!

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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$20 General Admission

Free with TCU ID - claim your free ticket ahead of time, select "Buy Tickets" above

Event Live Stream

Program

View on site | Email this event

This exhibition features a range of projects and explorations from the Society of Creative excellence and current Graphic Design Honors Students. Come see what they have been up to!

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

View on site | Email this event

“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

View on site | Email this event

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This exhibition features a range of projects and explorations from the Society of Creative excellence and current Graphic Design Honors Students. Come see what they have been up to!

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

View on site | Email this event

“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Tickets are not requirred for this event. Free general admission.

Event Live Stream

Program

View on site | Email this event

Tickets are not required for this event. Free general admission.

Event Live Stream

Program

View on site | Email this event

This exhibition features a range of projects and explorations from the Society of Creative excellence and current Graphic Design Honors Students. Come see what they have been up to!

Moudy Gallery is located in Moudy North Building TCU’s Campus, 2805 S. University Dr., Fort Worth. Gallery Hours are Monday-Friday, 11 am-4 pm, Saturday 1-4 pm, and by appointment. Admission is free, everyone is welcome.

For more information about this exhibition, images for press, or details about other activities of the Art Galleries at TCU, please contact Sara-Jayne Parsons, Director and Curator, s.j.parsons@tcu.edu, 817-257-2707.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

View on site | Email this event

“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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Tickets are not required for this event. Free general admission.

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Tickets are not required for this event. Free general admission.

Event Live Stream

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It’s the perfect opportunity to relax, connect with fellow future Horned Frogs, and experience the energy and pride of the TCU community. We can’t wait to cheer alongside you. For more info, contact Stephen Jenkins, Senior Director, Graduate Recruiting & Admissions at s.jenking@tcu.edu.

Time TBD.

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Tickets are not required for this event. Free general admission.

Event Live Stream

Program

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Event Live Stream

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Please join us for a week discovering the works of Roberto Sierra, offering a rare opportunity to step inside the creative world of the composer himself. Throughout the week, students and audiences will engage with Sierra’s music in meaningful and varied ways — from intimate art song performance to hands‑on learning with the composer, culminating in a powerful symphonic finale.

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Event Live Stream

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Please join us for a week discovering the works of Roberto Sierra, offering a rare opportunity to step inside the creative world of the composer himself. Throughout the week, students and audiences will engage with Sierra’s music in meaningful and varied ways — from intimate art song performance to hands‑on learning with the composer, culminating in a powerful symphonic finale.

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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This series addresses a vital need within higher education. As an elite academic institution that shapes future leaders from around the world, TCU provides the perfect setting for deep theological and philosophical dialogues from a historical biblical worldview perspective.

Our objective is to demonstrate how the Bible and Christian theology intersect with key issues of our cultural moment. Such theological discourse and practical application of truth are essential in higher education, where Christians must cultivate the life of the mind within our revered institutions.

Speakers

Tyler Durham, Ph.D., Teaching Pastor, King’s Cross FellowshipLance Cashion, Founder & CEO, Forge Room Foundation; Elder & Pastor, King’s Cross Fellowship

Event Schedule

5:30: Networking begins
6:00: Opening prayer; start conversation
6:45: Begin questions
7:00: Closing prayer

Faculty Programming Advisors

Grant Ferguson, Ph.D., Senior Instructor and Director of OutreachBrandon Chicotsky, Ph.D., Associate Professor of Professional Practice in MarketingEd Ipser, Ph.D., Adjunct Faculty in Engineering & Computer ScienceVaughna Galvin, DNAP, Associate Professor of Professional Practice in Nurse Anesthesia

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

View on site | Email this event

Please join us for a week discovering the works of Roberto Sierra, offering a rare opportunity to step inside the creative world of the composer himself. Throughout the week, students and audiences will engage with Sierra’s music in meaningful and varied ways — from intimate art song performance to hands‑on learning with the composer, culminating in a powerful symphonic finale.

View on site | Email this event

“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Tickets are not required for this event. Free genearal admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

View on site | Email this event

Tickets are not required for this event. Free general admission.

Event Live Stream

View on site | Email this event

Please join us for a week discovering the works of Roberto Sierra, offering a rare opportunity to step inside the creative world of the composer himself. Throughout the week, students and audiences will engage with Sierra’s music in meaningful and varied ways — from intimate art song performance to hands‑on learning with the composer, culminating in a powerful symphonic finale.

View on site | Email this event

View on site | Email this event

View on site | Email this event

View on site | Email this event

“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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General Admission - $20

TCU Student/Faculty/Staff - $10

Doors open 30 minutes before the concert

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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General Admission - $20

TCU Student/Faculty/Staff - $10

Doors open 30 minutes before the concert

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Tickets are not required for this event. Free general admission.

Event Live Stream

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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General Admission - $20

TCU Student/Faculty/Staff - $10

Doors open 30 minutes before the concert

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Tickets are not required for this event. Free general admission.

Event Live Stream

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General Admission - $20

TCU Student/Faculty/Staff - $10

Doors open 30 minutes before the concert

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General Admission - $20

TCU Student/Faculty/Staff - $10

Doors open 30 minutes before the concert

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Tickets are not required for this event. Free general admission.

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In November, the same session is offered twice—once on a Monday and once on a Tuesday—so you can attend the day that works best for you.

Monday, November 9, 12:15 pm - 1:15 pm (Writing & Critical Thinking and/or Efficiency)

Tuesday, November 10, 11:15 am - 12:15 pm (Writing & Critical Thinking and/or Efficiency)

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In this one-day offering, participants will discover approaches for deepening their self-awareness, improving their ability to project authenticity and stronger “leadership presence,” and being more purposeful in how they show up to better engage stakeholders, align teams around a new direction, and lead even more effectively in their organization.

November 10, 2026
8:30 a.m. – 4:30 p.m.
One in-person program day

Who Should Attend?

Business leaders at all levels who want to become more self-aware, improve their ability to establish genuine connections, strengthen their presence, and gain best-practices on relaying a persuasive presence and authentic delivery to all audiences.

What You Will Learn

The essential components of executive presenceHow to cultivate authenticity, purpose and "moments of impact"Gain insights into the mindsets of exceptional communicatorsAcquire confidence, poise and mental preparation skillsHow to understand your audience and leverage your environment to convey an executive perspective effectivelyHow to have a persuasive presence and authentic deliveryHow You Will Benefit

Defining your own personal leadership brand that sets you apartGain the invaluable skills to navigate difficult circumstances with grace and poise, while maintaining control and composureDevelop a confident and polished executive presence, leaving a lasting impression on both colleagues and clientsEnhance your improvisation skills in any professional scenarioLearn how to craft a compelling story to captivate and inspire your audience

Cost: $995* and includes all class materials, breakfast, lunch and refreshments.
Certificates will be awarded based on successful completion of the two-day training.

* Discounts available for TCU alumni, faculty and staff as well as veterans, small businesses and group registrations. Contact neeleyexeced@tcu.edu for details.

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In November, the same session is offered twice—once on a Monday and once on a Tuesday—so you can attend the day that works best for you.

Monday, November 9, 12:15 pm - 1:15 pm (Writing & Critical Thinking and/or Efficiency)

Tuesday, November 10, 11:15 am - 12:15 pm (Writing & Critical Thinking and/or Efficiency)

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For more information, please contact:

Dr. Tanetha Fisher (K-12, Ed.D.; t.fisher1@tcu.edu)

Dr. Christine Hall (Higher Education, M.Ed.; christine.hall@tcu.edu)

Dr. Jo Beth Jimerson (K-12, Ph.D.; j.jimerson@tcu.edu)

Dr. Cathy Sewell (K-12, M.Ed.; catherine.daniel@tcu.edu)

Dr. Ashley Tull (Higher Education, Ed.D., Ph.D., TCC Cohort; ashley.tull@tcu.edu)

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not requirerd for this event. Free general admission.

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Practice networking and dining etiquette, hear practical advice on internships and early career steps from employers, and leave with new connections and confidence. No cost for First-Gen Neeley students.

Thank you to our employer partners for your support! If you are interested in this event please email alex.thompson@tcu.edu.

What: 5-course formal etiquette lunch
Where: 2303A&B
Attire: Business Professional

Space is limited to 45 first-gen students on a first-come, first-served basis.

Questions? Email alconcenter@tcu.edu

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Tickets are not required for this event. Free general admission.

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Tickets are not required for this event. Free general admission.

Event Live Stream

Program

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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“Prints layer information, embodying traces of past thought and acts; they are metaphors for the way in which memory traces impose themselves on all perceptions and thought.” Art historian and curator Richard S. Field, Sentences on printed art, 1994.

The selection of 31 works from 15 artists showcases a range of lithographic techniques to embody broad themes and compositions that draw attention both to intimate details and idiosyncrasies and to grand scales of color and form. Some works welcome personal consideration whereas others gesture more broadly to social and cultural structures. Works selected for States of Being probe the quality of layered traces—such as the way limestone remembers mark making, layers of ink on paper that make an image and the ideas conveyed within the objects themselves—as a way to understand the transfer of information and representations of lived experiences.

Representations of the body are more direct in some works such as Robert Pruitt, Jarvis Boyland, Lucy Fradkin and Ellen Berkenbilt. While alluding to a portrait tradition where the subject is able to simply be observed, the artists prioritize the interiority of these figures to express a complicated, opaque inner state. Other works made by Sonya Clark, Nick Cave, Harmony Hammond and Maja Ruznic use abstraction of familiar textures, colors, and shapes to reference the body.

The transfer of information is of concern to Brian Rea, Jeffrey Gibson, José Antonio Suárez Londoño and Ellen Lesperance. Rea uses humor to acknowledge the persistent anxieties felt during the COVID-19 pandemic and into subsequent years. Gibson’s piece reads as a patchwork quilt that is simultaneously clairvoyant, historical, and rooted in the present. The physicality of the mark making, obscured scratchy words like “power,” “real,” and “need you,” and loud symbols like a heart and star are evidence of an attempt to make permanent. In contrast, Lesperance’s carefully organized compositions use archival photographs of protests to visually reconstruct the garments worn by the feminist activists in the photographs. Like snippets from a surrealist dream, Suárez Londoño’s suite of eight prints sport fragmented scenes and Spanish and English text processed through exploratory mark making, and pattern.

Held within the title’s suggestion of multiple ways of existing, States of Being also considers the body as witness or that which is witnessed. Selections by Paula Wilson situate the viewer as a participant in the intimate scenes where a cell phone is used to carefully and joyfully document the wonder of a moth. In To Dress Up, Liliana Porter anthropomorphizes a bunny awkwardly sporting an oversized mesh dress that obscures the body but does not obscure feeling of discomfort and otherness we are invited to witness. Again, viewers are situated within Nikki Maloof’s dinner scene in front of an empty plate and meeting the gaze of a figure opposite the table through a robust flower arrangement. These moments encourage viewers to be aware of their participatory body as they witness different ways of existing with others.

States of Being was curated by Sara-Jayne Parsons, Kay Seedig and Scott Sherer and will tour to the University of Texas at San Antonio for presentation at the Main Art Gallery, January 27 – February 27, 2027.

Tamarind institute is an internationally renowned center for collaborative printmaking and printer training, where artists work with master printers and students can learn about all aspects of fine art lithography. Originally opened in Los Angeles in 1960 as Tamarind Lithography Workshop, the institute was relocated to Albuquerque in 1970. Tamarind Institute is a state-of-the-art facility that is home to a professional workshop, gallery, an extensive archive of historic material and a vast print inventory of more than 8,000 lithographs. It is internationally recognized for its efforts to revitalize fine art lithography. www.tamarind.unm.edu

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Dr. Craig Crossland, Dean of the Neeley School of Business

Register before the Friday prior to the date of the luncheon. If you are not able to register online, please RSVP to Cheryl Cobb: c.cobb@tcu.edu

Lunches are available for $10. Lunches are FREE for TCU retirees the first time they attend.

Kelly Center parking lot (Lot 6). Parking in the Kelly Center lot can never be guaranteed as we share it with the BLUU, and it is the largest visitor’s lot on the west side of campus. You may park in the Frog Alley Parking Garage which can be entered off Stadium Drive just north of the Kelly Center between our facility and Ranch Management.

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This series addresses a vital need within higher education. As an elite academic institution that shapes future leaders from around the world, TCU provides the perfect setting for deep theological and philosophical dialogues from a historical biblical worldview perspective.

Our objective is to demonstrate how the Bible and Christian theology intersect with key issues of our cultural moment. Such theological discourse and practical application of truth are essential in higher education, where Christians must cultivate the life of the mind within our revered institutions.

Speakers

Tyler Durham, Ph.D., Teaching Pastor, King’s Cross FellowshipLance Cashion, Founder & CEO, Forge Room Foundation; Elder & Pastor, King’s Cross Fellowship

Event Schedule

5:30: Networking begins
6:00: Opening prayer; start conversation
6:45: Begin questions
7:00: Closing prayer

Faculty Programming Advisors

Grant Ferguson, Ph.D., Senior Instructor and Director of OutreachBrandon Chicotsky, Ph.D., Associate Professor of Professional Practice in MarketingEd Ipser, Ph.D., Adjunct Faculty in Engineering & Computer ScienceVaughna Galvin, DNAP, Associate Professor of Professional Practice in Nurse Anesthesia

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Event Live Stream

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Event Live Stream

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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This series addresses a vital need within higher education. As an elite academic institution that shapes future leaders from around the world, TCU provides the perfect setting for deep theological and philosophical dialogues from a historical biblical worldview perspective.

Our objective is to demonstrate how the Bible and Christian theology intersect with key issues of our cultural moment. Such theological discourse and practical application of truth are essential in higher education, where Christians must cultivate the life of the mind within our revered institutions.

Speakers

Tyler Durham, Ph.D., Teaching Pastor, King’s Cross FellowshipLance Cashion, Founder & CEO, Forge Room Foundation; Elder & Pastor, King’s Cross Fellowship

Event Schedule

5:30: Networking begins
6:00: Opening prayer; start conversation
6:45: Begin questions
7:00: Closing prayer

Faculty Programming Advisors

Grant Ferguson, Ph.D., Senior Instructor and Director of OutreachBrandon Chicotsky, Ph.D., Associate Professor of Professional Practice in MarketingEd Ipser, Ph.D., Adjunct Faculty in Engineering & Computer ScienceVaughna Galvin, DNAP, Associate Professor of Professional Practice in Nurse Anesthesia

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Tickets are not required for this event. Free general admission.

Event Live Stream

Program

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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A present-day version of a classic Greek myth, THE MINOTAUR is a contemporary take on love, honor, and human connection. With refreshing originality and wit, it explores how we break out of history in order to shape new stories for ourselves.
- Concord Theatricals

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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A present-day version of a classic Greek myth, THE MINOTAUR is a contemporary take on love, honor, and human connection. With refreshing originality and wit, it explores how we break out of history in order to shape new stories for ourselves.
- Concord Theatricals

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The William Lowell Putnam Mathematical Competition is the preeminent mathematics competition for undergraduates in the United States and Canada. Please let Dr. Lee know if you are interested in having training sessions by September 18, 5pm. If there is enough interest with 4 or more students, future practice sessions will be arranged.

The competition itself will be on Saturday, December 5th, 2026, with the first half from 9 am to noon and the second half from 2 pm to 5 pm. Students will gather in Tucker 352 by 8:45 am. If you are interested in participating, you must click to sign up

for the competition directly. The link is specific for TCU undergraduates. The sign-up is very quick; I suggest you sign up early, and no later than December 2.

You can find additional information about TCU Putnam Competition here. For further questions, please email Dr. Eun Hye Lee at Eun.Hye.Lee@tcu.edu.

Although preparation is optional, if you have not taken the Putnam before, we recommend at least reading some old A1 and B1 problems and solutions to get acquainted with the style of the problems on the competition. The best site for previous tests and the solutions is Kiran Kedlaya’s the Putnam Archive. We also urge you to read this nice article on how to write a solution.

Thank you,

Dr. Lee

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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A present-day version of a classic Greek myth, THE MINOTAUR is a contemporary take on love, honor, and human connection. With refreshing originality and wit, it explores how we break out of history in order to shape new stories for ourselves.
- Concord Theatricals

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Event Live Stream

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A present-day version of a classic Greek myth, THE MINOTAUR is a contemporary take on love, honor, and human connection. With refreshing originality and wit, it explores how we break out of history in order to shape new stories for ourselves.
- Concord Theatricals

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Event Live Stream

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A present-day version of a classic Greek myth, THE MINOTAUR is a contemporary take on love, honor, and human connection. With refreshing originality and wit, it explores how we break out of history in order to shape new stories for ourselves.
- Concord Theatricals

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Judges, including faculty and corporate professionals, provide feedback and evaluate performance, highlighting communication, strategy, and professionalism.

The event also serves as a key networking and recruitment opportunity, celebrating students’ achievements and connecting them with industry leaders.

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Event Live Stream

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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Entertainment by Texas Boys Choir.

Register before the Friday prior to the date of the luncheon. If you are not able to register online, please RSVP to Cheryl Cobb: c.cobb@tcu.edu

Lunches are available for $10. Lunches are FREE for TCU retirees the first time they attend.

Kelly Center parking lot (Lot 6). Parking in the Kelly Center lot can never be guaranteed as we share it with the BLUU, and it is the largest visitor’s lot on the west side of campus. You may park in the Frog Alley Parking Garage which can be entered off Stadium Drive just north of the Kelly Center between our facility and Ranch Management.

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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Event Live Stream

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

View on site | Email this event

Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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The Fall 2026 GaGA seminar is Fridays at 1 pm in TUC 352 on TCU campus, and also the seminar will be available on zoom. Contact Ken Richardson for the link.

View on site | Email this event

Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

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Tickets are not required for this event. Free general admission.

Event Live Stream

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Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

View on site | Email this event

Tickets are not required for this event. Free general admission.

Event Live Stream

View on site | Email this event

View on site | Email this event

Moudy Gallery is located at 2805 S. University, Fort Worth, TX 76129. Regular opening hours are Monday-Friday 11am-4pm, Saturdays 1-4pm, and by appointment. Admission is free, everyone is welcome. For more information, please call 817-257-2588 or theartgalleries@tcu.edu.

Link Tree: https://linktr.ee/tcuartgalleries
Facebook: The Art Galleries at TCU
Instagram: @tcuartgalleries
Artsy: www.artsy.net/fort-worth-contemporary-arts
YouTube: The Art Galleries at TCU

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This series addresses a vital need within higher education. As an elite academic institution that shapes future leaders from around the world, TCU provides the perfect setting for deep theological and philosophical dialogues from a historical biblical worldview perspective.

Our objective is to demonstrate how the Bible and Christian theology intersect with key issues of our cultural moment. Such theological discourse and practical application of truth are essential in higher education, where Christians must cultivate the life of the mind within our revered institutions.

Speakers

Tyler Durham, Ph.D., Teaching Pastor, King’s Cross FellowshipLance Cashion, Founder & CEO, Forge Room Foundation; Elder & Pastor, King’s Cross Fellowship

Event Schedule

5:30: Networking begins
6:00: Opening prayer; start conversation
6:45: Begin questions
7:00: Closing prayer

Faculty Programming Advisors

Grant Ferguson, Ph.D., Senior Instructor and Director of OutreachBrandon Chicotsky, Ph.D., Associate Professor of Professional Practice in MarketingEd Ipser, Ph.D., Adjunct Faculty in Engineering & Computer ScienceVaughna Galvin, DNAP, Associate Professor of Professional Practice in Nurse Anesthesia

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Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

View on site | Email this event

View on site | Email this event

Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027

Tuesday, November 17th, 3:30 – 4:30 pm (Sadler 210)Wednesday, November 18th, 12 – 1 pm (Sadler 210)Friday, November 20th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Monday, November 30th, 3 – 4 pm (Sadler 210)Wednesday, December 2nd, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 4th, 2 – 3 pm (Sadler 210)Monday, December 7th, 3 – 4 pm (Sadler 210)Thursday, December 10th, 12 – 1 (https://tcu.zoom.us/j/5748357281)Friday, December 11th, 2 – 3 pm (Sadler 210)Monday, December 21st, 10 – 11 am (Sadler 210)Tuesday, December 22nd, 11am – 12 pm (https://tcu.zoom.us/j/5748357281)Wednesday, January 6th, 10 – 11 am (https://tcu.zoom.us/j/5748357281)

View on site | Email this event

View on site | Email this event

View on site | Email this event

View on site | Email this event

View on site | Email this event

View on site | Email this event

Registration not required. In-person seats limitied to 16. Zoom seats not limited.

For Candidates - Portfolio due September 14, 2026

Wednesday, September 2nd, 12 – 1 pm (Sadler 210)Wednesday, September 2nd, 3 – 4 pm (Sadler 210)Friday, September 4th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Tuesday, September 8th, 5 – 6 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Wednesday, September 9th, 3 – 4 pm (Sadler 210)Friday, September 11th, 3:30 – 4:30 pm (Sadler 210)Monday, September 14th, 3 – 4 pm (Sadler 210)For Department Reviewers - Committee Reviews due October 26, 2026

Wednesday, September 16th, 12 – 1 pm (https://tcu.zoom.us/j/5748357281)Friday, September 18th, 2 – 3 pm (https://tcu.zoom.us/j/5748357281)Monday, September 21st, 4 – 5 pm (Sadler 210)Wednesday, September 23rd, 3 – 4 pm (Sadler 210)Friday, September 25th, 1 – 2 pm (https://tcu.zoom.us/j/5748357281) Monday, September 28th, 12 – 1 pm (Sadler 210) Friday, October 2nd, 2:30 – 3:30 pm (Sadler 210)For College Reviewers - College Reviews due January 7, 2027